Okay, so maybe I'm being a bit too dramatic using that epic battle between Godzilla and Rodan above :-).
With the recent acquisition of the Emotiva XSP-1, I wanted to see just how well a separate pre-amp with audiophile design in mind stacks up against something more ubiquitous like the AV receivers out there. Remember that a preamp at its core has very basic functionality - it allows switching of the source and volume control by adjusting voltage gain on the output. The essential difference between a good preamp versus poor one (beyond features, ergonomics, remote control quality, etc...) is how well it maintains a high signal-to-noise ratio (SNR). If you supply a high resolution line level DAC output, you want to see that signal come out of the preamp with as much resolution as possible; this demands that the preamp introduce as little noise as possible.
Is there good evidence that spending money on a good analogue preamp will result in more accurate music reproduction? Let's find out in this installment...
First, let me introduce the contenders today:
Currently the highest quality Emotiva preamp out. The claim to fame is the differential design for balanced operation. It provides 2 balanced inputs along with a host of unbalanced RCAs. Volume control is through a digitally controlled, analogue resistor network. For this test, I will not be using the analogue bass management or tone controls that could affect signal presentation / quality. SNR for this device is rated at >110dB across the board for both RCA and XLR operation.
A 7.1 channel "classic" from the decade when SACD and DVD-A were starting life and home theater lovers started seriously investing in discreet surround receivers with Dolby Digital and DTS (as opposed to the matrix surround of previous Dolby Pro Logic receivers). Analogue 7.1 channels input available. I bought this unit back in early 2002. Though not the highest end back then, it wasn't cheap (I think I paid almost $2000CAD). I don't remember the results of actual 3rd party testing but the rated amplifier power is 105W into 2 channels at 8ohms with 0.05%THD.
Analogue input SNR is rated at (only) ~86dB based on the table in the manual. For the sake of measuring the best possible audio output, all measurements will be performed through the CD input in "DIRECT" mode which bypasses all processing including tone controls and bass management. Measurement will be off the front (stereo) channels of the 7.1 "pre-out" analogue outputs.
previous post. Capable of 9.2 channels processing with 7.1 analogue external inputs. Again, not the most expensive in the Onkyo line but certainly in the upper end of the previous generation released in mid-2011. Amplifier is capable of more power than the Denon with a rating of 135W into 2 channels at 8ohms with 0.08%THD. Sound & Vision measured it as 145W into 2 channels at 8ohms with 0.1% distortion. Line level SNR rated at 110dB.
I'll measure it through the analogue CD input in "Pure Audio" mode where all extraneous audio processing is turned off. Likewise, it's supposed to quiet the video circuitry and even the front LED indicators and display are turned off. I will measure from the front (stereo) channels of the 9.1 "pre-out" analogue output.
Firmware was updated to the latest version as of September 2013 - 1131-1399-0211-4108.
First, I just want to discuss the general setup. The main thing I wanted to know was just how much resolution was maintained with the signal going through the preamp and look/listen to the results through a variety of levels standard across each device.
For the TEAC UD-501 DAC at 24/96 (which to me is the sweet spot) using the "SHARP" digital filter measured the following way:
HTPC (AMD A10 "Trinity") --> shielded USB (Belkin gold) --> TEAC UD-501 --> shielded RCA --> E-MU 0404USB --> shielded USB --> Win8 laptop
we get these results:
Nice to see the volume control accuracy of each device - every halving of output peak voltage corresponds with a 6dB decline of the volume "knob". Notice that the Emotiva and Denon are using a relative system of volume control (dB below 0dBFS) and the ONKYO is set to an "absolute" measure between 0 to 100.
The setup incorporating the pre-amp in-line therefore looks like this:
HTPC (AMD A10 "Trinity") --> shielded USB (Belkin gold) --> TEAC UD-501 --> shielded RCA/XLR --> Pre-Amp device --> shielded RCA/XLR --> E-MU 0404USB --> shielded USB --> Win8 laptop
I. Emotiva XSP-1 RCA:
Without further ado, here is what the Emotiva looks like with the unbalanced RCA setup:
II. Emotiva XSP-1 XLR:
Let's have a look at the XSP-1 operating in a balanced configuration:
Seriously, these are some fantastic measurements. As I said previously, unfortunately, I don't have direct measurements for the TEAC's XLR output. When passing the XLR output from the TEAC to the Emotiva pre-amp, the results at 2V peak volume coming out of the Emotiva slightly exceeds the direct RCA output from the TEAC DAC across the board from noise level to distortion levels to even lower stereo crosstalk.
The high frequency roll-off is less than with RCA. Notice just how clean the dynamic range graph looks as well through XLR cables. Fantastic.
III. Denon AVR-3802 RCA
Now we get into the AV receivers:
Roll-off above 20kHz is similar to the Emotiva's unbalanced mode but worse than the Emotiva below 100Hz with a -1dB bass roll-off at 20Hz.
IV. ONKYO TX-NR1009
Finally, let us have a look at what approximately a decade of advancement (between this and the Denon) in AV receiver technology can do:
As excited as I am about those results above, a modern AV receiver is meant to process HDMI and be connected to a TV. This receiver has a HDMI "passthrough" which is essentially always in operation and for most people, it would not be left in "Pure Audio" mode with all the video gear disconnected. As such, look what happens when I connect my LG 55LW5600 TV (55" passive 3D, LED TV from 2011) to the ONKYO and repeated the measurements:
So there you have it. The Emotiva XSP-1 measures as a very capable pre-amp unit with excellent resolution especially when used in a balanced configuration. There was barely any loss through RCA and the XLR performance is beyond the E-MU 0404USB's measurement capabilities. Note that in all these tests, I'm just using generic "Radio Shack" type RCA connectors and the XLR cables are inexpensive Monoprice brand. No reason for spending money on expensive cables when these kinds of results can be obtained with standard decent interconnects.
In "Pure Audio" mode without the HDMI system connected, the ONKYO performed excellently. It bested the 12-year old Denon AVR-3802 handily and is essentially neck-and-neck with the Emotiva in an unbalanced configuration. However, beware of the potential noise pollution and ground loops once you plug in all sorts of things into these receivers (like your fancy big screen TV)!
A little while back, I spoke about how music sounded better through the Emotiva XSP-1 compared to using the Denon as pre-amp. These results are supportive of my subjective impressions (I'm showing >10dB dynamic range difference and bass roll-off differences between the two). As for the ONKYO, it does sound much like the Emotiva as a stand alone audio device. Since I will be listening primarily with the ONKYO as a HDMI DAC (either from the computer or through Blu-ray player), for me the digital audio performance is much more important than the results I show here from the analogue input.
Music this evening:
My kids enjoyed Les Misérables (the movie) and really love to listen to it in the car on the way to school... My favorite recording of this is the recent 25th anniversary UK Tour cast from 2010's performance called "Les Misérables Live!" - certainly much better singing than Hugh Jackman and Russell Crowe!
I've got another trip coming up at the beginning of November and then the house move by the end of November. I hope to put up some results of the ONKYO as HDMI DAC before I go. Until next time... Enjoy the tunes...