A 'more objective' take for Rational Audiophiles. Among other topics!
X/Twitter: @Archimago
E-Mail: archimagosmusings(at)outlook.com
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Saturday, 22 November 2025
MUSINGS: On various characters in the audiophile hobby, debates, opinions and the Hearing Test.
Saturday, 20 April 2024
As We Hear It: Audiophile cable truths, claims, and reviewer age. Multichannel "madness"?
Hey everyone, this week let's have a look at a recent E-mail I received and think about the "classic" audiophile topic of contention over the decades - cables!
It has been awhile since I've talked about cables (I've published a number of cable measurements over the years, links collected here). It's not much fun talking about cables these days because after awhile I think most of us have tried enough cables and honestly just realized the truth that it really doesn't matter what the salespeople claim. There are better things to do like just sitting back and enjoying the music than obsessing over what essentially are minutiae with less potential effects* than hi-res audio recordings (which itself is usually questionable).
[* Unless of course the cable intentionally acts as a filter like some of the MIT cables - as per their patent.]
Here's an E-mail I received from reader JW Haus in March in response to a magazine article in Stereophile:
Wednesday, 11 March 2020
MUSINGS: "Which measurements matter?" Importance of considering the complete audio chain. And a listen to room DSP filters...
Very busy these last few days so I thought let's address an interesting discussion question I've seen over the last while about measurements and audibility. Here's a forum comment from tapatrick over on Audiophile Style the other day:
I think you have done a good job in your blog post of covering all the relevant areas involved from music production to listening. And maybe the conversation is now concluded. If only everyone would acknowledge and respect each others 'intent' as you put it then there would be a lot less misunderstanding. I am none the wiser which measurements matter but I have to say I'm now clear that measuring and analysing equipment outside of listening leaves me cold. I will leave that to others more qualified but I will keep an eye on developments...
Thursday, 1 October 2015
MUSINGS: Meditations on the limitations of hearing & listening.
For today's MUSINGS, let us take a few moments to think about our sense of hearing. Though the auditory system is not as complex as the visual architecture, the extensive interconnections and association areas they intersect with of course provides us with an altogether unique experience integrating emotions and memories. The "drug of choice" for us audiophiles is in the auditory domain. The music we hear adds to the quality of life, and in so doing, satisfies at least to some extent a sense of meaning to our existence. Much of this is a mystery which perhaps in time with the development of neuroscience, secrets may be unlocked... But even if these remain impenetrable mysteries, there is of course no denying the value and truth to human subjectivity. That joy and meaning is wholly ours alone, it is our right as sentient beings to own and cherish.
As humans, we also recognize that we are limited in every conceivable dimension and sensory modality. We cannot smell as well as dogs, we cannot see as well as cats, we cannot hear as acutely as bats, our proprioceptive abilities pale in comparison to even more primitive primates swinging in the trees... Over the years, I have posted on the importance of being aware of these limitations so as to be insightful about our abilities especially when making claims about what is heard or not heard. For example, I think it's useful to try something like the Philips Golden Ear Challenge as a way to evaluate our own hearing acuity. Having an appreciation of dynamic limits also helps us appreciate the importance of sound levels and silence in the listening environment. Knowing the limits as a human being helps us to understand the importance (or unimportance!) of developments like high-resolution audio and what we should expect.
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