It has been interesting seeing the audiophile press's responses to articles such as:
Gizmodo's "Don't Buy What Neil Young Is Selling"
Pitchfork's "The Myth and the Reality of the $43 Download"
Analog Planet's (Michael Fremer) "Gizmodo Won't Post My Comment So I'm Posting It Here"
AudioStream's (Michael Lavorgna) "Is High Resolution Audio Elitist?"
As I had laid out in this blog a number of moons ago (March 2014 to be exact) in "High Resolution Audio (HRA) Expectations (A Critical Review)...", there are many challenges to overcome in order to perceive an audible difference between a true high-resolution recording and the same track down-sampled to standard CD (16/44) resolution. This challenge is significant and technically difficult; culminating in the ultimate question of whether one's own hearing mechanism is even capable of the feat. (Remember folks, aging is good for wine, not so much for hearing acuity!)
I think there are a number of issues here and it's important to treat each separately without getting overly simplistic into a single declaration of whether HRA is "good/needed" or "bad/worthless". Furthermore gentlemen, there's no need for name-calling or ad hominem attacks.