It has been a good summer around here thus far with time off, working around the house, and of course time to enjoy the warm weather for a bit. Here in Vancouver, the late fall to early springs are typically dark and rainy so I'm happy to catch a few photons when I can :-).
With the pandemic, this will certainly be an unusual summer/year. Unless things change substantially, this will be the first year in 2 decades that I won't be traveling off the continent for vacation or work - heck, I can't even visit the USA at this point without at least 2 weeks of self-quarantine back in Canada. In that spirit of staying put and cleaning up this year, I thought I'd talk about a few related items that have been on my mind pertaining to my music library.
A few months ago, I wrote an article about remembering that for home audio, we must always think about the big picture triad of PRODUCTION - REPRODUCTION - PERCEPTION. So often, we in audiophilia spend disproportionate amounts of time on the hardware aspects of reproduction (what's new? how do these devices measure/perform?), or speak of subjective perceptual experiences. Much of that I think is a reflection of what our magazines, online sources, and forum topics revolve around. Maybe that's what the Industry also wants us to think/talk about. We so often forget that in fact, a huge amount of what we perceive - or can perceive - has already been "baked into the cake" from when favourite recordings left the studio (or perhaps specifically the mastering engineer's workstation).