Life is really simple, but we insist on making it complicated.
Everything should be made as simple as possible, but not simpler.--- Albert Einstein (apocryphal?)
--- Juni Kimura, 47 Labs / Sakura Systems :-)
Let us ponder a few moments on the first "As We See It" column for 2016 in Stereophile. Humorously titled "To the Simple, Everything Appears Simple".
After reading it, I was thinking, what was this article about anyway? An admonition (based on some other Facebook comment) about the perils of blind testing? Another caution to listeners that A/B testing involves the activation of analytical brain networks rather than those we use to appreciate art? Yet another attempt to impress/convince readers that music in a high-resolution container is significant for the home listener (like comments and articles about the virtues of Pono and high-res on-the-go)? A fair warning about jumping to conclusions without considering nuances or alternatively an attempt at instilling fear, uncertainty, and doubt in what should be rather obvious observations?
As we sit here at the end of 2015, I remind readers that "high-resolution" audio has been with us now for a rather long time! Many of us interested in technology and the "cutting edge" have likely been listening, perhaps testing, and evaluating >44kHz and >16-bit audio for the last 15 years. We have seen technologies like SACD and DVD-A essentially come and either gone or linger in some state of stagnation. We have witnessed the promise of a better-than-CD but CD-compatible "format" like HDCD come and go. I suspect many of us bought "music DVD's" encoded in 24/96 or 24/48, stereo, and multichannel years ago to get access to that promise of high resolution and listen for ourselves to satisfy our own curiosity - way before the Hi-Res Audio branding hype or inflated expectations from "evangelists" like Neil Young or the corporate push (eg. Sony).