Memory: 6GB 667MHz DDR2
Graphics: nVidia GeForce 8600M GT 512MB
OS: Mac OS X 10.8.2
HD: Corsair GT 240GB SATA SSD
This has been my work laptop for a few years until a couple months back. Essentially top-of-the-line laptop back in 2008 when I bought it. Still looks good and works well! I updated the hard drive to an SSD and upped the 4GB to 6GB about a year back.
2. Mid-2009 15" MacBook Pro (MBP):
CPU: 2.26GHz Core 2 Duo
Memory: 8GB 1333MHz DDR3
Graphics: nVidia GeForce 9400M 256MB
OS: Mac OS X 10.8.3
HD: WD 640GB SATA
My wife's work laptop. One of the Apple UniBody construction machines. The only laptop in this roundup with a hard drive rather than SSD.
3. Acer Aspire 5552-7858 (17"):
I. NATIVE DAC (RightMark Analogue output analysis):First, let us have a look at the internal DAC's in these laptops. Measurements were done as follows:
Laptop headphone out --> shielded phono-RCA cable --> E-MU 0404USB --> Aspire AMD laptop
II. Adaptive Isochronous USB (RightMark Analogue output analysis):
III. Asynchronous USB (RightMark Analogue output analysis):
IV. Jitter - Native DAC:
Quite different spectra as you can see. What is learned from the graphs is NOT jitter but rather the loss of the jitter modulation pattern with the 2008 MacBook, Acer Aspire, and ASUS Taichi. This means that despite using bit-perfect settings with the players, these computer DAC's are incapable of "bit-perfection". Other than the 2009 MacBook Pro, all the other machines either truncate or perhaps have some kind of 'forced' dithering in place such that the LSB jitter modulation has been corrupted.
V. Jitter - Adaptive Isochronous USB AUNE X1:Using the same method, lets look at the jitter pattern with the USB1 interface built into the AUNE X1 (Mark I). Again either using Decibel or foobar2000 with bit-perfect settings in place. USB cable is generic shielded good quality 6' cable:
2008 MacBook Pro to AUNE X1:
2009 MacBook Pro to AUNE X1:
Acer Aspire to AUNE X1:
ASUS Taichi to AUNE X1:
As you can see, the jitter modulation tone can be see in each situation. This confirms that indeed bit-perfect data is being sent to the DAC containing the LSB data. If anything, it looks like the Mac's may have a few more jitter sidebands than the Windows machines. If you recall from the RightMark results above, the Acer Aspire is performing both playback and recording duties in this situation so you can see that the noise floor is higher than for the others (noise increases significantly in the lower frequencies as shown in the RightMark graphs) likely due to the increased CPU and USB activity causing noise to spill over into the X1 DAC through the USB electrical interface.
VI. Jitter - Asynchronous CM6631A USB to TosLink to AUNE X1:What about when the CM6631A is used? Two things are happening here - USB communication is now asynchronous allowing better clocking (ie. lower jitter), and galvanic isolation is also happening by way of the TosLink SPDIF intermediary. As I measured in a previous blog post, the CM6631A appears to have just as low jitter whether with coaxial or TosLink.
2008 MBP to CM6631A to AUNE X1 (TosLink):
2009 MBP to CM6631A to AUNE X1 (TosLink):
Acer Aspire to CM6631A to AUNE X1 (TosLink):
ASUS Taichi to CM6631A to AUNE X1 (TosLink):
Notice how the jitter spectrum looks almost identical now just as the RightMark measurements above look essentially identical in each case with the CM6631A. With TosLink galvanic isolation, the Aspire's noise floor is in line with the others and in each case, the jitter modulation signal is well defined, again proving that Decibel (sending to the Mac's native USB 2 Audio driver) and foobar2000 (using the C-Media ASIO driver now) are capable of bit-perfect output when the hardware allows.
VII. SUMMARY:1. Even though most laptops/motherboards these days advertise their audio hardware as "HD Audio", they are generally nothing of the sort. Although the MacBook Pro's showed good dynamic range in the RightMark tests at 24/96, the 2008 model was incapable of true 16-bit processing. Likewise, neither of the two Windows 8 laptops were capable of preserving the 16-bit LSB jitter modulation pattern. Perhaps obvious, but the bottom line is that you cannot trust the built-in DAC's for even 16/44 resolution audio.
2. Watch out for noise creeping into the DAC from the USB interface as shown with the Aspire-X1 Adaptive USB example. This can originate from internal electrical components as in this case or other times ground loops. Galvanic isolation with the TosLink interface is one way of dealing with this.
3. Overall, the asynchronous USB interface is better than adaptive isochronous USB for jitter in this example (obviously I cannot vouch for all asynchronous DAC / interfaces). This has been demonstrated before already and seen again here. These days it's a moot point since asynchronous USB interfaces are readily available and if your DAC doesn't have one, just grab an inexpensive converter like the CM6631(A) I used here. There are of course some very expensive USB-SPDIF adapters but given the CM6631A results, why spend more from a sonic perspective? As I have also stated before, I still have no good evidence to say that jitter at this low level is ever audible with real music despite what subjective audiophile reviewers or Internet posters generally claim! In ABX tests and even non-blinded flipping between measured jittery vs. clean audio sources, I cannot tell the difference at least up to ~2ns peak-to-peak jitter; nevermind the usual few hundred picosecond jitter with decent modern gear [Ed. apologize for the error... I previously had a typo of "2ms"]. It's possible that my ears aren't sensitive to this but to be honest, unless one has superhuman hearing abilities, I can't imagine how it would be physiologically possible given these test results.
4. If you keep electrical noise/interference at bay, and use appropriate software player & drivers to ensure bit-perfection, there is no reason why Macs vs. Windows vs. ANY computer would 'sound' any different paired to a good DAC. As you can see above, when the CM6631A asynchronous USB-to-SPDIF converter is used and galvanic isolation is in place, there's essentially no difference in the analogue RightMark measurements and the Dunn J-Test spectra irrespective of CPU, speed, memory, HD/SSD, OS, USB, etc. (obviously as long as the specs are good enough for bit-perfect output - this is the beauty of digital). (Here's another interesting article showing identical Mac vs. Windows output using JRiver and different methodology.)
I hope this article has been useful in demonstrating a few things about computer audio. Measurements allow an opportunity to verify claimed improvements and demonstrate technical progress in hardware performance - amazing that few audiophile magazines / web sites actually include independent objective measurements and reviews come out looking like infomercials and PR. Realize that none of what I've shown is all that mysterious or requires audio "voodoo" whatsoever - science is all you need; let the musicians provide the passion and art. The cables are all generic, reasonably high quality (ie. nothing looking like they're going to break!), and universally costs <$20 for standard 3-6' lengths. The AUNE X1 DAC can be bought off eBay for ~$200. The CM6631A USB to SPDIF costs $50. The analogue and jitter measurements are on par with much more expensive gear I've come across. No need to further obsess over details like jitter or bit-perfection because the objective data has set the mind at ease... If this were my main listening system, this then is where I would start more subjective evaluation with the amp and speakers asking myself whether I prefer the sound of the technically accurate setup or not. Realize that not everyone wants technical accuracy - terms like "clinical" or "sterile" impart this pejorative connotation. IMO, there is no such thing as a system being "too resolving", there's only source material that's "not good enough"!
After all this, you might ask: "So how does it sound?"
Great! (No need for superfluous adjectives.) Now go enjoy some music...
For posterity, a response I put up on Audio Asylum questioning the results (April 21, 2013)...
I appreciate your feedback and critique. I used to have the QB9 and indeed it is a nice DAC so was quite happy that Stereophile's measurements concurs.
For this article, I believe the data was "bit perfect" since the LSB jitter modulation was evident in the 16-bit tests. Due to the hardware limitations, this was of course not seen in the 24-bit graphs. I did discuss this fact and the issue that the built-in computer DAC's had problems with bit-perfection.
Thank you for bringing up the "skirt" issue. I'm going to have to update my ASUS Essence One measurements because this was worse with the USB input but not the coaxial or TosLink. However, most of what I've seen suggests that this low frequency jitter is masked by the primary signal. Please correct me if this is wrong so that I may pay more attention to it especially if there's a point of audibility.
As for "at some point you have to listen to the damn thing" (I'm directing this to the general viewership, not just to your comments). It is precisely because I've been listening AND reading forums like this for the last 15-20 years that I started doing the measurements and putting up the blog! I don't think it's at all a stretch to say that people are notoriously unreliable in their experience... I have never found an audiophile who could reliably differentiate high bitrate MP3 for example, yet when I ask, everyone seems to say they can (sure there are people who can ABX 320kbps but that's very few). For those who have a copy, listen to track 26 on Stereophile Test CD2 simulating 10ns jitter. I would estimate that half of the audiophiles I've tried this on over 50 years old have difficulty hearing this simulation on a test tone yet they universally claim that a few hundred picosecond jitter is a "problem" audible in actual music.
There's precious little objectivity out there anymore for audiophiles - look at that bizarre 3-part article on computer audio in TAS early 2012; if "everything's possible" (bit-perfect rips sound different if ripped at different CD speeds according to that article) then nothing is known anymore. Just look at the numerous comments when those new to computer audio asks straight forward questions here. IMO, some of the responses border on delusional.
Time is limited but I have spent many many hours listening to cheap to very expensive gear - even owning a few of the more expensive items over the years. It is my belief that "good" sound can be independent of factors like price, or any of the external factors like workmanship, etc. In fact, I've come across situations where high priced gear are just plain inaccurate. For me, accuracy is all that matters, and this can be quantified objectively.
Speaking of "misinformation is what is sending most people into shock when they start CA". Realize that over these months of testing, I have not advocated anything I would consider as "fringe". I've shown that asynchronous DAC's are better with less anomalous J-Test spectra, coaxial and good USB is better than TosLink in the gear I have, shown 'good' DAC's like the Oppo BDP-105 (ESS Sabre) measures superbly. I advocate for "bit perfect" and showed that both Windows and Mac are capable of accurate output, and have interspersed these tests with listening to make sure nothing appears awry - usually spending a couple hours at a time in the evenings listening (eg. when I was doing some cable measurements recently). As I've said in some posts, there is no voodoo or magic here, and the tests are showing me such. How in the world is this shocking anyone out of computer audio!? If anything, it's reassuring that measurements line up with a rational empirical approach that is reproducible.
Now as for the test gear I use and software like RightMark. You don't need the Hubble telescope to identify Jupiter in the sky. Likewise, why do I need expensive gear like an AP when I just want to make sure the frequency response is relatively flat, or that the dynamic range of a DAC can exceed 16-bit CD quality, or that the Dunn test isn't atrocious? All these things are within reach of what I have and the beauty of computer audio and technological advancement is that stuff that can do this is easily within the consumer's grasp. However, I'm not saying that anyone should do this since it has taken me countless hours to learn how to get the calibration right and make sure the software setup works for me in order to achieve a high level of reliability in the measurements.
When my simple setup can easily demonstrate analogue cable differences, XLR vs. RCA differences, show me the spectral smearing between 320kbps MP3 vs. 400kbps AAC, demonstrate J-Test differences between coaxial vs. TosLink vs. AES/EBU, when I post about this, in what way is this "misinformation"? In fact, my ASUS Essence One measurements showed a disturbing anomaly when upsampling is used resulting in attenuated frequency response which has since been confirmed by ASUS (and hopefully to be remedied)... How come subjective Essence One reviewers missed this when it was so obvious with just a little testing?
Look guys, ultimately either what I say and write about makes sense, or it doesn't. I mention a new post up here once awhile that could be of interest like this one with the laptop tests to outboard DAC's. I have ZERO financial interests or otherwise. I do it for fun, for my own education, and enjoy sharing what I've found with others. Anyone can freely share their thoughts in the comments section (haven't had to censor anyone at this point for nonsense), and I've invited people to give me evidence/reason if they think something I say is wrong. Of course, with my objectivist mindset, "Level 4 or 5" evidence (ie. individual or series of reports) doesn't really impress compared to experimental results or controlled trials.