Over the holidays, Santa brought me a new SVS SB-2000 Pro subwoofer (currently US$900 black ash, US$1000 piano black, Canada: black ash, piano black) for the system in the sound room. As you can see, I got the slightly more expensive shiny piano black version. As usual, I bought this from typical consumer channels.
On this blog, we've talked about full-range sound, including the importance of subwoofer(s) in order to experience "fully" all there is in our recordings. As a pop, rock, electronica, orchestral, movie-lover, the ability to experience down to 20Hz (even a little lower into "infrasound") with adequate power, and low distortion is all part of what it means to achieve "high-fidelity" audio that is transparent to the source recording. As usual, it doesn't mean I can't enjoy my music without these sub-bass frequencies! It's just nice to know that I'm not neglecting content present in those lower registers as provided by artists and audio engineers.
During the pandemic, in the spring of 2020, I bought myself an inexpensive 8" Polk PSW111 to use as an "accessory" subwoofer to help fill-in the bass response in concert with the mighty Paradigm SUB1 (1700Wrms, 6 x 8" drivers), my main subwoofer that achieves frequency response down below 20Hz. For these last 5+ years, the little Polk has done its job reasonably well but it clearly has limits. For example, when pushed up in level, I can hear the "chuffing" from the small ~4" diameter down-facing port. Also, a ported 8" sub like this can really only be expected to reproduce down to the mid-30Hz at best.
And so, moving ahead, let's spend some money to retire that little Polk sub to my main floor living room, making space for this SVS! 😁
